For violin and fixed media (2020).

Written for Christopher Herz and Nick Photinos' 1:2:1 workshop, premiered online July 26, 2020.

For small percussion and live electronics (2020).

Commissioned by Ben Damann.

For alto saxophone and 4-channel electronics (2019/2020). Commissioned by Joe Connor.

For bassoon, cello, conch shell, & gong (2018/2019).

Commissioned and premiered by Aviary Duo (Ben Roidl-Ward & Isidora Nojkovic) at Impromptu Fest 2019, Guarneri Hall, Chicago, March 30, 2019.

For violin (2019).

For performer with trombone and objects (2018).

Premiered by Weston Olencki at Northwestern University, May 24, 2018.

For cello and objects (2017).

Premiered by Wilson Smith at the 2018 Midwest Graduate Music Consortium.

For two wind instruments and live electronics (2017).

Premiered by members of the Flubax Trio at the Festivalis Druskomanija, May 25, 2018.

Performed by Brandon Quarles & Joe Connor at Northwestern University, December 4, 2018.

Honorable Mention, Hypotenuse Trio Call For Scores.

For piano (2017).

For acoustic guitar.

Premiered by Diego Castro Magas, Brunel University, London, April 13, 2016.

For keyboard instrument (2014).

Premiered by James Stone at Center For New Music & Audio Technology, Berkeley, CA, May 1, 2017.

For prepared ensemble of alto flute, bass clarinet, harp, violin, cello (2020).

Written for and premiered by Ensemble Dal Niente at Northwestern University, March 11, 2020.

For oboe, celesta, marimba (2015), arranged for flute, celesta, viola (2019), arranged for flute and piano (2019).

Version for flute/celesta/viola premiered February 18, 2020 by Sophie Lanthier (flute, claps), Caleb Paxton (viola), and Ben Zucker (celesta) at Northwestern University.

For soprano saxophone, piano, and assistant with objects and live electronics (2017).

Premiered by Maria Kouznetsova (piano), Justin Massey (saxophone), and Ben Zucker (assistant) at the 2017 Montreal Contemporary Music Lab.

For flexible instrumentation (2017).

Premiered November 27, 2017, by Ben Zucker (vibraphone), Ben Roidl-Ward (bassoon), and Noah Jenkins (violin) at the Northwestern University Fall Composers Concert.

Featured on Score Follower's Mediated Scores channel.

For violin, cello, acoustic guitar, and live electronics (2017).

Premiered by Ensemble Mobile at the Teatro da Reitoria, Centro-Curitiba, Brazil, August 22, 2017.

Commissioned by Nucelo Musica Nova as part of their Collaborations Project.

For percussion quartet and fixed media (2016).

Premiered by the Los Angeles Percussion Quartet at Chapman University, Orange, CA, January 31, 2017.

Commissioned by the LAPQ as part of their Next Wave Composers' Initiative.

For bass clarinet, violin, cello, piano (2016).

Premiered by the San Francisco Contemporary Music Players as part of the Lou Harrison Centenary, April 22, 2017.

Winner of the SFCMP SF Search Call For Scores.

For vocalizing string quartet and live electronics.

Premiered by the Mivos Quartet at the VIPA Festival, July 14, 2016, 

Conservatorio Superior Música Valencia “Joaquín Rodrigo”, Valencia, Spain.

Open ensemble of 5 or 8 players (2016--ongoing).

Workshopped at Atlantic Center For The Arts, June 2016. Premiered at Center For New Music & Audio Technology, Berkeley, May 1, 2017.

For violin, viola, cello, electric guitar, and live electronics.

Workshopped by the Distractfold Ensemble at Brunel University, May 24, 2016.

For flute, tenor sax, violin, and double bass.

Workshopped by Apartment House at Brunel University, January 2016.

Premiered by Entropy Ensemble at I'Klectik Art Lab, London, August 3 2016.

For three instruments.

Workshopped by Tre Voci at Brunel University, October 13, 2015.

For vibraphone & string quartet (2015).

Performed by Ben Zucker (vibraphone), Siri Carr (violin), Dina Maccadee (violin), Ali Felman (viola), Vivian Deng (cello) at Ben Zucker's senior recital, March 5, 2015.

Prose scores for improvising ensemble (2013/2015).

Performed by Ben Zucker (vibraphone), Josh Davidoff (clarinet), Angus Macdonald (guitar), Ron Shalom (bass), Tobias Frohnhofer (drums) at Ben Zucker's senior recital, March 5, 2015.

Recorded version with Ben Zucker (vibraphone), Mabel Kwan (piano), Eli Namay (bass), Adam Shead (drums) on Fifth Season (Amalgam Records).

For six instruments (2012/2014).

Premiered by the Wesleyan F-Holes; April 2014.

Audio by the Central Michigan University New Music Ensemble; December 7, 2014.

For clarinet, violin, cello, and vibraphone (2013).

Performed by the CSU Long Beach New Music Ensemble.

Written for the International Symposium On The Fiction Of Julio Cortazar; March 21, 2014.

For voice and optional tape (2019).

Commissioned and premiered by Jacqueline Kerns at Northwestern University, April 20, 2019.

For 8 men's voices (2018).

Premiered by the Constellation Men's Ensemble, May 2018.

Commissioned by the Constellation Men's Ensemble.

For vocal ensemble SATB with divisi (2017).

Premiered by the Bienen Contemporary/Early Vocal Ensemble at NUNC 3, April 22, 2018.

Art song for soprano and piano, with text by Bree Aikens (2016/2019).

Premiered by Liza Sobel and Mabel Kwan at Northwestern University, November 12, 2019.

For 3/4 voices, with sleigh bells and branch (2015/2017).

Premiered by the Melos Vocal Ensemble at the 2017 Festivalis Druskomanija, Liskiava, Lithuania.

For SATB choir with divisi (2012/2016).

Text by H.D (with permission from New Directions publishing).

Premiered by the San Francisco Choral Artists, March 2017.

Winner of the San Francisco Choral Artists New Voices Project.

For voices and live electronics and audience (2016).

Text by Evgenia Emets. Premiered by Evgenia Emets, Kate Smith, Uran Apak, and Mārtiņš Baumanis with Analema Group at the Baltic Art Form, London, May 4, 2016.

I. Sea ~ II. Yucatan/A Hocket For Ana Mendieta

For four voices (2015).

Texts by Carl Andre. Premiered by members of the New York Virtuoso Singers at Wesleyan University, May 1, 2015.

Performed by the Vocal Constructivists as part of Idiopreneurial Entrophonics at Trinity College Dublin, April 24, 2016.

For speakers.

Premiered by Ben Zucker, Michael Baldwin, David Pocknee, and Louis d'Heudieres at Weisslich, Hundred Years Gallery, London, July 23, 2016. Studio version by Ben Zucker released on o ur gab.

Performed by Black Sheep Ensemble (Boston, November 2018) and Southland Ensemble (Los Angeles, February 2019).

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Sequenza21 on neither/n/nor/n, performed by the Southland Ensemble

("Neither /N/Nor/N is simple in both materials and structure, yet it proved to be the perfect canvas upon which sonic illusions could be released by the imagination.")

For voices SATB (2015).

Text by Charles Wesley, from The Sacred Harp. 

Premiered by members of the New York Virtuoso Singers at Wesleyan University, May 1, 2015.

Performances by Kings Chapel Choir (Boston, MA, January 2016), Khorikos (September 2016), KC Vitas (Summer 2017).

Recorded performance by Khorikos on Joy and Grief and Rest (self-released).

For STAB choir with divisi.

Text by Virginia Woolf (from To The Lighthouse). Premiered by the Bienen Contemporary Vocal Ensemble at the Northwestern University New Music Conference, November 8, 2015.

Winner of the C4 Collective Student Composition Competition, Graduate Division.

For choir SATB (2011).

Text from the Carmina Burana. Premiered by members of the New York Virtuoso Singers at Wesleyan University, May 1, 2015.