Solo & Duo

 

Magnificent Maladaptives (trouble with the staying)

For violin and fixed media (2020).

Written for Christopher Herz and Nick Photinos' 1:2:1 workshop, premiered online July 26, 2020.

everyday is fiction

For small percussion and live electronics (2020).

Commissioned by Ben Damann.

complicity with continuous materials

For alto saxophone and 4-channel electronics (2019/2020). Commissioned by Joe Connor.

Invention Of Water

For bassoon, cello, conch shell, & gong (2018/2019).

Commissioned and premiered by Aviary Duo (Ben Roidl-Ward & Isidora Nojkovic) at Impromptu Fest 2019, Guarneri Hall, Chicago, March 30, 2019.

what comes to prickle

For violin (2019).

Refusage

For performer with trombone and objects (2018).

Premiered by Weston Olencki at Northwestern University, May 24, 2018.

QOWOOOPO

For cello and objects (2017).

Premiered by Wilson Smith at the 2018 Midwest Graduate Music Consortium.

Outdifference

For two wind instruments and live electronics (2017).

Premiered by members of the Flubax Trio at the Festivalis Druskomanija, May 25, 2018.

Performed by Brandon Quarles & Joe Connor at Northwestern University, December 4, 2018.

Honorable Mention, Hypotenuse Trio Call For Scores.

Ipnaop

For piano (2017).

Uigtrui

For acoustic guitar.

Premiered by Diego Castro Magas, Brunel University, London, April 13, 2016.

Discontinuo

For keyboard instrument (2014).

Premiered by James Stone at Center For New Music & Audio Technology, Berkeley, CA, May 1, 2017.

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Chamber Ensembles (3-6)

Eschautomata

For prepared ensemble of alto flute, bass clarinet, harp, violin, cello (2020).

Written for and premiered by Ensemble Dal Niente at Northwestern University, March 11, 2020.

Wrey

For oboe, celesta, marimba (2015), arranged for flute, celesta, viola (2019), arranged for flute and piano (2019).

Version for flute/celesta/viola premiered February 18, 2020 by Sophie Lanthier (flute, claps), Caleb Paxton (viola), and Ben Zucker (celesta) at Northwestern University.

A Reconsideration Of Jarred Light

For soprano saxophone, piano, and assistant with objects and live electronics (2017).

Premiered by Maria Kouznetsova (piano), Justin Massey (saxophone), and Ben Zucker (assistant) at the 2017 Montreal Contemporary Music Lab.

Refinites

For flexible instrumentation (2017).

Premiered November 27, 2017, by Ben Zucker (vibraphone), Ben Roidl-Ward (bassoon), and Noah Jenkins (violin) at the Northwestern University Fall Composers Concert.

Featured on Score Follower's Mediated Scores channel.

Raving Pitch & Dust

For violin, cello, acoustic guitar, and live electronics (2017).

Premiered by Ensemble Mobile at the Teatro da Reitoria, Centro-Curitiba, Brazil, August 22, 2017.

Commissioned by Nucelo Musica Nova as part of their Collaborations Project.

The Golden Age Cannot Be Picked Up

For percussion quartet and fixed media (2016).

Premiered by the Los Angeles Percussion Quartet at Chapman University, Orange, CA, January 31, 2017.

Commissioned by the LAPQ as part of their Next Wave Composers' Initiative.

Sarabandisms

For bass clarinet, violin, cello, piano (2016).

Premiered by the San Francisco Contemporary Music Players as part of the Lou Harrison Centenary, April 22, 2017.

Winner of the SFCMP SF Search Call For Scores.

Testimonies, Flaming Pasts

For vocalizing string quartet and live electronics.

Premiered by the Mivos Quartet at the VIPA Festival, July 14, 2016, 

Conservatorio Superior Música Valencia “Joaquín Rodrigo”, Valencia, Spain.

Great American Scrapbook

Open ensemble of 5 or 8 players (2016--ongoing).

Workshopped at Atlantic Center For The Arts, June 2016. Premiered at Center For New Music & Audio Technology, Berkeley, May 1, 2017.

Hyperborean/Bodies

For violin, viola, cello, electric guitar, and live electronics.

Workshopped by the Distractfold Ensemble at Brunel University, May 24, 2016.

Objectstinate (I & II)

For flute, tenor sax, violin, and double bass.

Workshopped by Apartment House at Brunel University, January 2016.

Premiered by Entropy Ensemble at I'Klectik Art Lab, London, August 3 2016.

in/difference

For three instruments.

Workshopped by Tre Voci at Brunel University, October 13, 2015.

Ariadne Songs

For vibraphone & string quartet (2015).

Performed by Ben Zucker (vibraphone), Siri Carr (violin), Dina Maccadee (violin), Ali Felman (viola), Vivian Deng (cello) at Ben Zucker's senior recital, March 5, 2015.

Fifth Season

Prose scores for improvising ensemble (2013/2015).

Performed by Ben Zucker (vibraphone), Josh Davidoff (clarinet), Angus Macdonald (guitar), Ron Shalom (bass), Tobias Frohnhofer (drums) at Ben Zucker's senior recital, March 5, 2015.

Recorded version with Ben Zucker (vibraphone), Mabel Kwan (piano), Eli Namay (bass), Adam Shead (drums) on Fifth Season (Amalgam Records).

Canticum

For six instruments (2012/2014).

Premiered by the Wesleyan F-Holes; April 2014.

Audio by the Central Michigan University New Music Ensemble; December 7, 2014.

Axolotl

For clarinet, violin, cello, and vibraphone (2013).

Performed by the CSU Long Beach New Music Ensemble.

Written for the International Symposium On The Fiction Of Julio Cortazar; March 21, 2014.

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Large Ensembles & Open Instrumentations (7-?)

Clarke Distributions (for 10)

For 10 performers (2019).

Composed for/with and premiered by the residents of the 2019 Westben Performer/Composer Residency.

Algoriddimicule

For wind ensemble (2019).

Read by the Northwestern University Symphonic Wind Ensemble, May 20, 2019.

Grass Has Grown Into Your Cities

For large ensemble (2018).

Premiered by the Bienen Contemporary Music Ensemble at Northwestern University, February 9, 2019.

Finalist for OSSIA New Music's 2019-2020 Call For Scores.