Photo by Deidre Huckabay
Short & Sweet
Ben Zucker practices acts of conceptual juxtaposition and experiential speculation, as an intentionally wide-ranging composer, audiovisual artist, and multi-instrumentalist. He has contributed to experimental music scenes of the Bay Area, Connecticut, London, Chicago, and beyond, working with musicians including Anthony Braxton, Matana Roberts, Myra Melford, Karen Borca, The Crossing, The Vocal Constructivists, Rinde Eckert, and the San Francisco Choral Artists, in addition to frequent performances as a soloist, bandleader, and ensemble contributor. His composed works have received awards and performances by ensembles including the Mivos Quartet, the Los Angeles Percussion Quartet, Khorikos, Ensemble Entropy, and the San Francisco Contemporary Music Players, as well as being performed at DOCNYC, the Darmstadt Fereinkurse, Art Omi, Trinity College Dublin, and the Banff Centre. He has been acclaimed as a "master of improvisation" (IMPOSE Magazine) and “more than a little bit remarkable” (Free Jazz Blog) for his solo albums combining brass, percussion, voice, and electronics, released on labels including Not Art Records, Dinzu Artefacts, Verz Imprint, and I Low You. He currently lives in Chicago, studying, performing, teaching, and organizing as a doctoral student at Northwestern University.
Less Short, Still Sweet
Photo by Egon Schiele
Ben Zucker is a musical artist using sound, composition, improvisation, multimedia, and theory to cut across genre with an eye towards new relations between concepts, disciplines, and visceral experience.
Ben's practice seeks to touch upon the systems and traditions of western art music, jazz and creative music, free improvisation, American folk music, performance art, and ambient/lowercase electronic music. His concert music has been premiered by organizations including the Northwestern University New Music Conference, the International Symposium on the Fiction Of Julio Cortazar, Weisslich, and the Valencia International Performance Academy, and has collaborated on new works with the New York Virtuoso Singers, Nucleo Musica Nova, the Chicago Composers' Orchestra, the Mivos Quartet, Apartment House, the [Switch~] Ensemble, Distractfold Ensemble, Tre Voci, and Diego Castro Magas. He has won the C4 Collective Student Composer Competition, Khorikos' ORTUS International New Music Competition, the San Francisco Choral Artist’s New Voices Project, the San Francisco Contemporary Music Players' SF Search, and was a recipient of the the Los Angeles Percussion Quartet's Next Wave Commission. He has also been active in the world of theater music and sound design, designing sound effects and original music for over a dozen productions, including the world premiere of The Last Days Of The Old Wild Boy with Rinde Eckert, music direction for the premiere of Aya Aziz's Sitting Regal By The Window at the New York Fringe Festival, music for the Fusion Award-winning documentary Filter Feeders, and a series of multimedia installations at the Baltic Art Form and Roundhouse with the international Analema Group.
As a solo performer, Ben incorporates brass, voice, percussion, and keyboards into a free-wheeling mix of crafted improvisation, and has performed at sites including the 2015 Audio Branding Academy Congress in Berlin (where he was recognized as a New Composer Talent), the Bowery Electric (NYC), University Of Kent, Experimental Sound Studio (Chicago), and the Chapel Of The Chimes' Garden Of Memory (Oakland, CA). He has been a founding member of groups performing jazz, salsa, experimental vocal music, noise, post-rock, and contemporary classical music, including: Don Froot, the Apres-Garde Ensemble, Arcadio, the Improviser's Choir, Jabberwock, Metafauna, World Beside Us, and Three Hands Clapping. He has performed with musicians such Anthony Braxton, Matana Roberts, Myra Melford, Karen Borca, The Crossing, The Vocal Constructivists, Vinny Golia, the San Francisco Choral Artists, Amy Brandon, Adam Shead, Tommy Carroll, and Ramon & Jessica. His solo albums, released on Dinzu Artifacts, Not Art Records, Verz Imprint, Weekend EP Project, and I Low You Records, have been acclaimed as “a testament to the power of restraint and arrangement” (Decoder Magazine) and "more than a little bit remarkable" (Free Jazz Blog).
Ben attended Bennington College and Wesleyan University, where he studied composition with Kitty Brazelton, Bruce Williamson, Anthony Braxton, Neely Bruce, and David Behrman, and vibraphone with Jay Hoggard (and a great deal of self-training on most other instruments). During his studies at Wesleyan, he was awarded the Leavell Memorial Prize for "outstanding work in music". He then completed an postgraduate degree in Experimental Music at Brunel University London, principally studying under Jennifer Walshe and Christopher Fox. He now lives in Chicago, where he is a PhD candidate in composition at Northwestern University.
Ben drinks a lot of coffee, has been know to eat unlikely combinations of food, and is prone to taking refuge in unhelpful cultural references.
Resume/CV available on request.